Leftover Salmon presents the Wide Open Jam featuring Sam Bush, John Cowan, & other surprise guests
- Dates: September 29, 2018
- Venue: Red Hat Amphitheater
- Location: Downtown Raleigh
- Address: 500 S. McDowell St., Raleigh, NC 27601
- Times: 9:30-11pm
- Admission: Ticketed
You won't want to miss the closing set of the 2018 Wide Open Bluegrass Main Stage - Leftover Salmon presents this year's Wide Open Jam, featuring Sam Bush, John Cowan, and other surprise guests!
For the past quarter-century, Colorado’s Leftover Salmon has established itself as one of the great purveyors of Americana music, digging deep into the well that supplies its influences; rock ‘n’ roll, folk, bluegrass, Cajun, soul, zydeco, jazz and blues. They are firmly settled in the long lineage of bands that defy simple categorization, instead setting their own musical agenda. They are the direct descendants of bands like Little Feat, New Grass Revival, Grateful Dead, and The Band, born of the heart and soul of America itself, playing music that reflects the sounds emanating from the Appalachian hills, the streets of New Orleans, the clubs of Chicago, the plains of Texas, and the mountains of Colorado. During Leftover Salmon’s 25 plus years as a band, they have headlined shows and festivals from coast to coast, released nine albums, and maintained a vibrant, relevant and influential voice in the music world. Over that time, Leftover Salmon’s sound has grown and evolved while staying true to the roots and guiding spirit of the band’s founding members – mandolinist/singer Drew Emmitt and guitarist/singer Vince Herman.
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If joy were a person, he’d bring both peace and frenzy. He’d be full of music, light, and energy that soothes even as it stirs us up. Eyes closed, wire-rim glasses in place, mandolin pressed against his ribs, joy would be Sam Bush on a stage. “I feel fortunate that when it’s time to play, no matter how I feel physically or mentally, once the downbeat starts, my mind goes to a place that’s all music,” says Bush. “The joy of the music comes to me and overtakes me sometimes––I just become part of the music.”
That rapt merging of life and art fills Bush’s new album Storyman, a freewheeling collection that gleefully picks and chooses from jazz, folk, blues, reggae, country swing, and bluegrass to create a jubilant noise only classifiable as the Sam Bush sound. Many of the songs are stories––several of them true––and the legendary mandolin player co-wrote every one of them with friends including Guy Clark, Emmylou Harris, Jon Randall Stewart, Jeff Black, and others. “I’m hoping it just kind of flows for people and makes them go, ‘Hey! It’s a Sam record. It sounds like Sam and the band,’” Bush says. “But for the first time ever, I also find myself thinking, ‘I hope you enjoy the stories.’ It’s my singer-songwriter record.”
The Father of Newgrass and King of Telluride has long since established himself as roots royalty, revered for both his solo and sideman work, which includes time with Harris, Lyle Lovett, and Béla Fleck. But instead of kicking back and soaking up honors such as an Americana Music Association Lifetime Achievement Award and suite of Grammys and International Bluegrass Music Association trophies, Bush still strives relentlessly to create something new.
John Cowan, also known as the Voice of Newgrass, has been singing his heart out for 37 years now, and his soaring vocals have only improved with time. A true innovator, Cowan applies his powerful pipes to genres from country, bluegrass, and gospel to soul, jazz, and rock-and-roll – often within the space of a single concert. His ability to move fluidly through multiple styles, and carry mesmerized audiences on the journey with him, has set him apart as one of the most loved and admired vocal artists of his generation, not just by fans and critics but among fellow musicians as well.
With his distinctive, rock-tinged tenor vocal and heart-thumping electric bass, Cowan, along with fellow New Grass Revival band mates Sam Bush, Courtney Johnson, and Curtis Burch, and later Bela Fleck and Pat Flynn, introduced a new generation of music fans to an explosive, experimental and ultimately, eponymous brand of bluegrass. The “newgrass” sound spawned popular jam bands such as Leftover Salmon and Yonder Mountain String Band in addition to shaping the sensibilities of country megastars Garth Brooks, the Dixie Chicks, the Zac Brown Band, and Darius Rucker.
After New Grass Revival disbanded in 1990, Cowan went on to record a series of critically acclaimed solo albums including Soul’d Out (Sugar Hill, 1986), the self-titled John Cowan (Sugar Hill, 2000), Always Take Me Back (Sugar Hill, 2002), New Tattoo (Pinecastle, 2006), 8,745 Feet, Live at Telluride (2005, re-released by E-1 Entertainment, 2009), Comfort & Joy (E-1 Entertainment, 2009), The Massenburg Sessions (E-1 Entertainment, 2010) and Sixty (Compass Records, 2014).
Over the years, Cowan also has been in high demand as a session musician and boasts vocal and/or bass credits on some 140 recordings, including albums by Garth Brooks, Glen Campbell, Rosanne Cash, Ashley Cleveland, Rodney Crowell, Steve Earle, Bela Fleck and the Flecktones, Hootie and the Blowfish, Janis Ian, Hal Ketchum, Alison Krauss, Delbert McClinton, Reba McEntire, Tim O’Brien, Mark O’Connor, Poco, John Prine, Kenny Rogers, Darius Rucker, Leon Russell, Darrell Scott, Ricky Skaggs, Travis Tritt, Hank Williams Jr., Jesse Winchester, Wynonna, Zac Brown, The Doobie Brothers, and the Will the Circle Be Unbroken albums.
Not content to remain a sideman, Cowan left the Doobie Brothers to follow his creative muse in pursuit of a solo career that, at the dawn of the 21st century, found him circling back to his acoustic “newgrass” roots.
These days, Cowan's fans have to wait a little longer between shows and possibly travel a little farther to get to them. That’s because he’s working his own performances into and around another very busy schedule. In 2010, the Doobie Brothers found themselves once again in need of a bass player, and John Cowan was the first person they called. He took the job, and now he travels the world with the Doobies, laying down the low notes and singing the high ones as they perform hits such as “Black Water,” “China Grove,” “Taking it to the Streets,” and “Listen to the Music” as well as new songs that showcase the relevancy of this iconic classic rock band. Cowan was also featured as a background vocalist on the Doobies latest album Southbound, released in 2014.